Sunday, February 11, 2018

The Yeti Sanction, part I (spoilers)

Art by Dave Billman

Enjoyment of fiction sometimes requires suspension of disbelief.  Such suspension is also needed when participating in a role-playing game.  However, different genres can tolerate suspension to a greater or lesser extent.  The genres of mystery and espionage, dependent upon logic and plausibility, are not well suited for suspension of disbelief.  The first Lords of Creation adventure, The Horn of Roland, includes a mystery scenario.  Although I questioned the appropriateness of the scenario as an introductory adventure, the mystery was competently crafted.  The second Lords of Creation adventure, The Yeti Sanction, begins with an espionage scenario.  Unfortunately, this scenario is so implausible, it makes any given Saturday morning cartoon plot look sophisticated in comparison.  Lords of Creation can accommodate mystery and espionage, but the potential of the game is so vast it seems a shame to present an unsatisfactory espionage scenario instead of any of numerous possible opportunities.

The Yeti Sanction “was designed for characters who have just finished” The Horn of Roland, but the completion of Roland is not a prerequisite for Yeti.  In fact, the continuity between the two adventures is practically non-existent.  Yeti, however, requires characters of a higher power profile than RolandThe Yeti Sanction (1984) was designed by Ian Guistino and Tom Moldvay.  Since Moldvay is listed second, it would seem that Guistino did more of the work.  Other than some magazine contributions in the 21st century, Yeti is Guistino's only published RPG effort.

Like Roland, Yeti encompasses six scenarios.  The first scenario begins with the player characters being contacted by an Air Force colonel; however, when “he is sure that no one else can hear, he will reveal to the characters that he is actually a member of the CIA...”  The colonel “has been sent to escort the characters to Washington.”  I think we can all appreciate how annoying it is when someone from the CIA wants to escort us to Washington.  The colonel establishes his bona fides by presenting an ID card.  Also, “Any characters with the Espionage skill will know that CIA agents have a recognition code which is changed each week.”  It is also somehow known that, “This week the code is wearing a piece of silver jewelry shaped like a lion, with imitation ruby eyes.”  The colonel “is wearing such a tie pin.”  This is important later when...oh, wait, it isn't important.  If the characters call the CIA to confirm the colonel's credentials, the GM should “give them a 10 XP bonus for intelligent play.”  Ten experience points is more XP than a character can earn by beating up a grizzly bear or an orc leader.

It is assumed that the player characters will accompany the colonel to Washington.  Instead of taking them to Langley, the colonel brings them to a facility underneath the Pentagon.  A CIA official named Commander Williams addresses the player characters via television screen.   Williams explains that the Secretary of State has been kidnapped and, as a result, the commander is “empowered” to recruit the player characters “to help during the crisis.”  Williams claims, “Every one of you has been recommended to me.”  The adventure background claims the characters are asked “on the basis of the job they did in New Bristol” (assuming they completed The Horn of Roland adventure).  Williams gives the characters the opportunity to back out; however, “The GM should encourage the the characters [sic] to accept since there is no adventure otherwise).”  Assuming the characters accept the offer, they become “Force J” and are briefed by Williams:
     ...Up until three years ago, Dr. Markov was Chief of the Asian Division for the Russian KGB.  Then one day he suddenly disappeared.  Unconfirmed rumors placed him somewhere in Siberia at a secret base.  We believe that he received special training in terrorist tactics while at the base.  About a year go Markov surfaced in Tibet.  He is currently leader of an international terrorist organi-zation named YETI.  As far as we can determine, YETI stands for Young Everest Terrorist International.  They have an isolated base somewhere in the Himalayan Mountains.
     In the past year, YETI has established an international reputation for kidnappings and assassinations on a grand scale.  While not as well known yet as some other international terrorist groups, their actions over the last year make YETI one possible suspect in the kidnapping of Secretary Jackson.  Other agents are checking out different leads.  Your mission is to find out whether or not YETI was involved in the secretary of state.  If so, rescue Secretary Jackson and capture or kill Anton Markov.
Additionally, Williams explains that the characters' “contact in the field is Sally Anderson at the United Travel Agency.”  Anderson “has already done some preliminary work on the case and...will handle all preparations for your trip to the Himalayas.”  Williams directs his secretary, Helen Robbins, to take the characters to the “Armaments section” so that they may be issued their equipment.  Williams concludes the briefing by alerting the characters, “There may be a leak in the agency” and only five people know about Force J:  the colonel, Williams, Anderson, Robbins, and George Fox, “the head of the Armaments section.”

I would have handled the recruitment of the player characters in a different manner.  Rather than have the Secretary of State kidnapped from his home, I would have him kidnapped from a conference held at a hotel.  They player characters would also be at the hotel and they would fall victim to the incapacitating gas used by YETI.  The characters recover from the gas with the aid of the CIA.  After checking the characters' backgrounds, the agency offers the 'Force J' opportunity.  In this way, the player characters would have a sense of obligation to the CIA and a motive for going after YETI.

Just over six pages near the beginning have listings for spy equipment, rules for car chases, and forty-eight car descriptions.  The only foreign vehicle that isn't a luxury model is a Volkswagen Rabbit.  Anyway, “The Game Master has two methods of giving the characters their special equipment.”  The GM can either provide the characters with the suggested equipment or let them outfit themselves with a budget (“$50,000 for two cars, and $15,000 for other equipment”).  If you bog down the adventure by letting the players go on a shopping spree, you're doing it wrong.  Just give them the suggested equipment and entertain any reasonable requests.  Honestly, time is too precious – both in real life and in the game.


Once the characters get their equipment, they go to United Travel Agency to see Sally Anderson.  There are two indicators that something isn't right:  'Sally' doesn't respond with the proper recognition phrase and there is “a muffled yell from behind the back door.”  The real Sally Anderson is being kidnapped.  Specifically, she is being forced into a station wagon in the back alley.  The station wagon has the name 'Yak Exports Unlimited' displayed on the sides.  A car chase ensues...probably.

Included in The Yeti Sanction box are some player aids:  equipment lists, car descriptions, charts pertaining to the car chase rules, and a map of Washington, DC.  The Lords of Creation car chase rules are not as abstract as those for other games.  The chase follows a specific route through Washington and there is a table that indicates what happens on each game turn (including what 'driving check' rolls are required).  The adventure acknowledges that – instead of pursuing the station wagon – the characters can just find the address of Yak Exports Unlimited by looking in the phone book.

At the Yak Exports Unlimited warehouse, the player characters find out about the YETI plan:  “Dr. Anton Markov hopes to start a nuclear war by setting off [atomic] bombs in Washington and Moscow after first kidnapping important officials from each country.”  A disassembled atomic bomb is present at the warehouse and “Included with the bomb is a copy of Markov's orders.”  If your plan is to start a nuclear war, destroying Moscow and Washington ought to do the trick; kidnapping officials would seem to be an unnecessary effort (unless that's the easiest way for a GM to involve the player characters).  The player characters have captured the Washington bomb, but the Moscow bomb plays no part in the adventure.

Also at the warehouse, the player characters come across a bad guy burning some papers.  An unburned fragment relates information about a Russian mole in the CIA, including the mole's date of birth.  The reasons why this document would even exist, why it would it be written in English, and why the bad guy would have this document on his person are not elaborated upon.  (Spymaster pro tip:  If you really must write down your mole infiltration plans, don't mention the mole's identity.)  Additionally, “On a pad next to the telephone is a message which reads:  'Tell Katrina about Force J; also call Marie at house'.”

The characters are awarded 50 XP if they can determine who the mole is.  Only five people know about Force J.  Of the five, only two did not know Sally Anderson's recognition phrase – George Fox and the colonel.  Fox is too old given the mole's date of birth; hence, the colonel is the traitor.  Of course, this logic assumes that the mole would have supplied YETI with the recognition phrase if he or she knew it.  Absent is the possibility that the actual mole would implicate someone else in order to avoid detection.  “Of course,” the adventure states, “deducing who the mole is, and proving it, are two different things.”  Also, “The GM should remind the characters [sic] that they do not have any actual proof.”  Via the phone company, the player characters can determine “that a number of calls have been made from Yak Exports Unlimited to a number which originates from an apartment on 20th Street...”  At said apartment, the player characters find “the complete dossier on the mole...[including] pictures, fingerprints and a list of...subversive activities.”  So, there's the proof.  Fortunately, Markov kept a bunch of identifying information about his infiltration agent so that his enemies could acquire it when needed.  Actually, the mole subplot doesn't affect the rest of the adventure, it didn't even need to be included.

Sunday, January 28, 2018

Role-Playing the William Blake Way

William Blake          Jerusalem, Plate 25 (detail)          1804-20

Part 8 of Lords of Creation features the Lands of Wonder – “six unusual settings where adventures may take place.”  One of these settings, The Land of Ulro, “is a science fantasy world inspired by the mystical poetry of William Blake...”  This is an interesting choice, but not inexplicable given that Philip José Farmer's “World of Tiers” series was specifically cited by Moldvay as an inspiration for Lords of Creation and Blake was an inspiration for Farmer's series.

“Science fantasy” is one of the seven setting types Moldvay describes in Part 7 of the Rule Book.  “Anything and everything goes in a science fantasy setting,” Moldvay informs us.  Additionally, “science fantasy settings are the easiest to work with since anything mentioned in the rules can be used.”  Science fantasy foes include (but are not limited to):  GIANT ANIMALS, Le Comte de Saint-Germain, Kuan Yin, FELINES, SILKIES, and Väinämöinen.

The physical form of Ulro is that of a huge hollow sphere.  The inhabited area of Ulro is on the inside shell of the sphere.  The sphere is filled with Udan Adan, that is, with outer space complete with stars and a sun which makes a daily journey through Udan Adan.  Paradoxically, Udan Adan really is outer space.  By travelling into it one can travel to the outside of the sphere into normal space.  Similarly, one can be travelling in normal space and find oneself in Udan Adan in Ulro without even noticing the transition.

Among the points of interest in Ulro:
Tree of Mystery – “A huge tree that bears every known fruit in addition to some strange, unknown fruits that appear nowhere else.”
Drantham Road – “A road made of silver that runs from the Tree of Mystery to Golgonooza...”
Stone of Night – “A giant black, square stone which weeps tears of blood when major battles are in progress anywhere on Ulro.”
City States of Enitharmon – “Seven cities located in the middle of fertile cropland.  The cities are all ruled by matriarchies.”

Golgonooza is a city of superscience and supermagic.

Moldvay tells us that “Golgonooza exists in four dimensions instead of three” and that “One implication [of this] is that the city travels in time.”  Also, “the city exists simultaneously in four spots at the same time.”

With regard to the Lands of Wonder settings, Moldvay states, “There is no reason why the GM cannot exercise imagination to fill in the details...”  One could argue that such an exercise is not optional.  This is especially true of Ulro, since we are not aware of what sort of adventures Moldvay intended for this setting.  “Though sometimes difficult reading,” he explains, “for inspiration the GM may want to study the poetry of William Blake...”  Absent this study, “anything can happen.”
There are many individuals mentioned in the mystical poetry of William Blake.  For reasons of limited space, only six were described in THE BOOK OF FOES under THE FAMILY OF LOS (Los, Enitharmon, Orc, Rintrah, Palamabron, and Vala).  Other sons of Los and Enitharmon include:  Theotormon, Bromion, Antamon, Sotha, Manathra-Vorcyon, Ozoth, Ohana, Har, Gon, Mydon, Ellayol, Ochim, Natho, and Harhath.  The daughters of Los and Enitharmon include:  Ocalythron, Elynittria, Oothon, Leutha, Elythiria, Enanto, Hevah, Thiralatha, and Ethinthus.
According to the description of the Family of Los in The Book of Foes, they “do not call themselves 'gods and goddesses'...Their power has passed beyond such pettiness.”  Each member of the Family of Los has every power of each class.  (This necessarily includes 'cyborg'.)  The least powerful member of the family detailed in The Book of Foes, Palamabron, “is the founder of abstract law and often appears in priestly robes, wearing a horned head piece.”  Compared to Palamabron, Zeus and Odin are a couple of lightweights.  Granted, Zeus and Odin both have every power class (including 'cyborg'), but Zeus is only worth 6,600 experience points and Odin, 4,350.  Palamabron is worth a hefty 8,500 experience points.

Sunday, January 14, 2018

Fencing in Lords of Creation

Art by Dave Sutherland

The third issue of Avalon Hill's Heroes magazine proclaims on the cover:
Special 12-page Pull Out Game:
Musketeers,
Swashbucklers
& Crimson Pirates
The word “game” implies that it is a complete game.  However, the first page of the twelve page section has the subtitle, “Dueling Rules For Lords Of Creation™.”  So, the “game” is a merely a supplement to the Lords of Creation combat rules.

For purposes of dueling, a Lords of Creation GAME TURN consists of six segments.  In each segment, each duelist performs a maneuver.  Before each GAME TURN, duelists purchase the maneuvers they intend to use.  (The maneuvers selected for a given turn comprise the duelist's maneuver pool.)  Each manuever costs a number of 'segment points'.  (I have no idea why they weren’t called maneuver points.)

Each GAME TURN, a duelist has a number of segment points equal to the sum of his or her INITIATIVE ROLL and the product of his or her number of attacks and the appropriate skill level.  To put it another way:

(1d10 + Initiative Bonus) + (skill × # of attacks) = segment points

If the duelist is using two weapons (such as a dagger and rapier), the average of the two skills is used.  Anyway, six maneuvers are selected, purchased, and written down in secret.  Maneuvers can be performed in any order.  Any given maneuver in the maneuver pool can be performed once (unless the duelist purchased the maneuver more than once).  A duelist with two attacks per turn need only select five maneuvers in advance; a sixth maneuver can be purchased and performed on any segment.  Similarly, a duelist with three attacks per turn need only select four maneuvers in advance.

For a given segment, one duelist announces which attack maneuver he or she performs and the other duelist (if able) responds with an appropriate maneuver.  The duelist with the higher initiative on the first turn has advantage and the option of being the attacker on the first segment.  Depending on which maneuvers the duelists perform in a given segment, advantage can be transferred back-and-forth between the duelists.  On the second and later turns, the duelist who has advantage on the first segment is determined by the maneuvers performed on the last segment of the previous turn.  Initiative is rolled, but only to determine respective amounts of segment points.

There are dozens of maneuvers and each is categorized as either an attack, a defense, a 'gaining the advantage', or a counter attack.  Combat rolls are not made during a duel.  An attack is automatically successful unless the defending duelist can perform a maneuver that works against that specific attack.  A defense maneuver cancels an attack but does not transfer advantage.  A 'gaining the advantage' maneuver cancels an attack and (appropriately) transfers advantage.  A counter attack maneuver cancels an attack, transfers advantage, and launches an attack which the other duelist must attempt to cancel with his or her next maneuver.

Each attack maneuver has an associated defense maneuver, a 'gaining the advantage' maneuver, and a counter attack maneuver.  For example, against a 'thrust' attack, the defense maneuver is 'parry', the 'gaining the advantage' maneuver is 'circular parry', and the counter attack maneuver is 'riposte'.  Also, a 'dodge' maneuver can be used as a defense against most attacks and an 'inquartata' maneuver can be used as 'gaining the advantage' against most attacks.  A duelist targeted by a thrust is hit and suffers damage unless he or she performs a parry, circular parry, riposte, dodge, or inquartata.

Not only are there dozens of maneuvers, but when any maneuver (except, presumably, dodge or inquartata) is purchased, a target (body) area must be selected for that maneuver.  The nine target areas are:  head, chest, abdomen, left arm, right arm, left leg, right leg, left foot, and right foot.  So, against a 'thrust (left leg)' attack, possible response maneuvers are parry (left leg), circular parry (left leg), riposte (left leg), dodge, or inquartata.

The maneuvers a duelist can perform are limited by the 'position' the duelist and his (or her) opponent occupy.  'Position' refers to the distance between characters in a duel.  There are four positions.  Position A is the closest two duelists can be (and still be in a duel).  It is too close for swordplay; the only permitted attacks are punch, kick, and dagger thrust.  Position D is the furthest two duelists can be.  In this position, “The only kind of attack possible is a running attack which automatically carries the duelist closer to his opponent, or a thrown dagger.”  Position B seems to be the default position and offers the most maneuvers.

After purchasing six (or five or four) maneuvers for a given turn, any remaining segment points are 'reserve points'.  Duelists who only needed to acquire four or five maneuvers in advance can use reserve points to purchase their additional maneuvers.  One reserve point can be used to advance or retreat by one position.  One reserve point can be used to alter a maneuver's target area to an “adjacent” area.  (The illustration above shows 'transition areas' that can be used in changing target areas.  For instance, changing from left arm to left leg costs two points.)  Lastly, reserve points can be used to 'delay' a response maneuver so that it can be used against attacks from positions C and D.

Once per combat, a character can perform a Foul Trick, an attack against which there is no normal defense.  The target of a foul trick can spend two reserve points to attempt a Luck roll; if successful, the target takes no damage.  A duelist with a sufficiently high skill has a Secret Attack, which is like an 'honorable' foul trick except the Luck roll attempt costs three reserve points.  Foul tricks and secret attacks can only be used three times (each) by any given character.  Moldvay explains:
In a swashbuckling campaign, any duelist who uses either a foul trick or secret attack a total of three times (each) loses the ability to use that special attack.  In the one case, the duelist gets the reputation as a knave or a blackguard and everyone is thereafter on guard against foul tricks.  In the other case, the secret attack is no longer secret and is, hence, useless.
With the introduction of 'hit locations' to Lords of Creation combat, different effects manifest with different target areas.  Luck rolls can ameliorate these effects.  For instance, hits to the chest cause double damage; with a successful Luck roll, damage is not doubled.  Damage to an arm is halved; unless a Luck roll is successful, an attack to a weapon arm causes the weapon to be dropped.

If a duelist faces more than one opponent at a time, “the single duelist splits his segment points any way he wishes and fights each combat as simultaneous single combats.”

Moldvay offers the following comments:
          I tried to keep the dueling rules from becoming cumbersome.  Emphasis was placed on rapier combat.  The Game Master can alter the dueling rules for other circumstances if he wants.  He could interpose dueling with regular combat.  Thus, opposing musketeers might fire their muskets at duelists; or a pirate might fire a brace of pistols before a duel began.  The GM might add other weapons to the duel.  Pikes (long spears) and a variety of pole arms were common in the Swashbuckling Era.  A Pike would mainly be a thrusting weapon while a pole arm could both thrust and slash.  The Swashbuckling Era also saw strange variations of “weapons” such as rapier and cloak, rapier and bar stool, or rapier and lantern.  If the GM wanted to duplicate ship boarding actions, he could throw in the use of crude black powder grenades or even cannon fire.

Sunday, January 7, 2018

Lords of Creation as Space Opera

Art by Dave Billman

Lords of Creation contains a one-and-a-half page description of the 'Imperial Terra' setting.  We learn that:
Terra now rules more than a thousand planets throughout the galaxy.  All of the planets have been Terraformed to approximate the living conditions on the mother world (even so, some of the planets are only marginally inhabitable).  Because of Faster-Than-Light drive (abbreviated FTL) the planets can be reached in days instead of centuries.  Even so, Terra is only able to control such a population because of Luna-X.
Luna-X is a giant, planet-sized computer.  “By law, all computers are linked to Luna-X.”  Emperor Romulus XI also has a mental link – the only one – with Luna-X.  However, “there are are unconfirmed rumors that it is not Romulus who controls Luna-X, but Luna-X who controls Romulus.”  While all of Terra “is one interconnected, giant city,” the emperor resides in the capitol, “the Megalopolis District, located in what used to be the bed of the Mediterranean Sea.”

There are three factors that form the basis of the Imperial administration:  The Lunar Corps, The Fleet, and The Imperial Inspectors.  “The Lunar Corps is both a computerized bureaucracy and a force of secret police.”  Said secret police – The Lunar Police – “have the right to impose sentences on the spot, without trial, unless dealing with a member of The Fleet, or superseded by an Imperial Inspector.”  The Fleet consists of the Hyperspace Navy, the Stellar Marines, and – recruited from the best of these two services – the Imperial Guard (also known as the StarGuard).  (Corvus Andromeda was one of the StarGuard.)
The Imperial Inspectors are another secret organization.  No one knows how they are recruited, paid, or who ultimately controls them.  But when they appear, they are quickly recognized.  Imperial Inspectors have the right of 'high and total justice' even over The Lunar Corps or The Fleet.  Strangely enough, the emphasis really is on justice.  The Imperial Inspectors have a deserved reputation for total honesty, incorruptability [sic], and impartiality.  Their justice is always tempered with mercy.  It is likely that without the ideal of the Imperial Inspectors, the Empire would have dissolved into rebellion and anarchy despite the efforts of The Lunar Corps and The Fleet.  The Imperial Inspectors provide an element of hope, a safety valve that emphasizes slow, peaceful change over bloody rebellion.  Unfortunately, the Imperial Inspectors are few, and the evils they combat are many.
Imperial Terra is only one of the Lands of Wonder, but nothing prevents it from being used as the basis of a space opera campaign outside of the Lords of Creation paradigm.  For Imperial Terra, Tom Moldvay incorporated concepts from various instances of science fiction literature, yet there was likely more to the setting than was published.  The details he provided for the Starnomads suggest as much.  Despite the recycling of a couple of names, Revolt on Antares could easily be part of the Imperial Terra universe.  Other indicators of a more expansive setting can be seen in a two-part article in Avalon Hill's Heroes magazine (issues 2 & 3).  This article allows for the creation of non-human player characters in the Imperial Terra setting.  The article also mentions an adventure module in development, “Voria,” in which such characters could be used.

As indicated in the Lords of Creation rules, 2d10 are rolled for the basic abilities for humans.  However, according to the article, the “minimum basic ability score [for Humans] is 8.”  With regard to non-humans,“Perhaps two-thirds of the population of the Empire are Terran descendants, the rest belong to...seven other (known) space-faring races.”

Art by Dave Billman
ASTREGANS:  In The Book of Foes, the 'n' is left out and this race is referred to as Astregas.  They “are a race of intelligent crustaceans.”  For MUSCLE, SPEED, and STAMINA, the roll is 4d6-1; for MENTAL and LUCK, 2d10.  “Their minimum basic ability score is 6” and they have natural armor of -2.  However, they begin with one less skill.


Art by Dave Billman
DRACONIDS:  They are 8 foot tall, bipedal saurians with prehensile tails.  They are vegetarians and have an easy-going attitude.  For MUSCLE, SPEED, and STAMINA, the roll is 4d6+1; for MENTAL, 2d10; and LUCK, 3d10.  “Their minimum basic ability score is 6” and they start with one less skill.


Art by Dave Billman
FELINES:  “Felines take pride in their extreme sophistication, but often revert to barbarism in times of crisis.”  For MUSCLE, SPEED, and STAMINA, the roll is 3d6+1d10; for MENTAL and LUCK, 2d10.  “Their minimum basic ability score is 6” and they start with one less skill.  Using their claws, Felines cause an additional 1d6 damage in unarmed combat.


Art by Dave Billman
LUPINES:  “The Lupine virtue of loyalty and their vice of vengefulness are renowned throughout the galaxy.”  For MUSCLE, SPEED, and STAMINA, the roll is 2d10+1d6; for MENTAL and LUCK, 2d10.  “Their minimum basic ability score is 7” and they begin with one less skill.  Their vestigial claws “add 1-3 points of damage to unarmed combat.”


Art by Dave Billman
MANTIS LORDS:  They “are 7 foot tall intelligent insects.”  Mantis Lords “appear to be completely paranoid” and “seem to be psychologically incapable of trusting another race enough to sign a peace treaty.”  For MUSCLE, SPEED, and STAMINA, the roll is 2d10+1d6; for MENTAL and LUCK, 2d10.  “Their minimum basic ability score is 7.”  They can use their vestigial wings to lift themselves off of the ground for periods of 1-6 rounds.


Art by Dave Billman
PONGOIDS:  They “are a cross-breed between humans and the great apes.”  They “were held as virtual slaves but won their freedom in the Great Rebellion” (which ended twenty years ago).  For MUSCLE, SPEED, and STAMINA, the roll is 4d10-1; for MENTAL, 2d6; and LUCK, 2d10. “Their minimum basic ability score is 6” and they with two fewer skills.


Art by Dave Billman
PUPPET MASTERS:  “They stand about 3 feet high and weigh roughly 75 pounds.”  A Puppet Master can connect its spine to a victim's spine via an artificial cord and thereby control said victim.  For MUSCLE, SPEED, and STAMINA, the roll is 2d6; for MENTAL, 3d10; and LUCK, 2d10.  “Their minimum basic ability score is 5.”

In addition to the intelligent, star-faring races above, the Heroes article also provides character creation information for the following.

Art by Dave Billman
ANDROIDS:  “It requires a detailed biological analysis to tell Android bodies from normal Human bodies.”  Androids raised under clinical conditions “take pride in their aloofness and rationality.”  However, “Androids created in the fetal stage and raised by Human families show normal Human emotions.”  For all five basic abilities, the roll is 2d10+1.  “Their minimum basic ability score is 7” and they begin with one less skill.  They also have an armor value of -1.

Art by Dave Billman
CYBORGS:  “Some Cyborgs are virtually indistinguishable from a normal Human; others are virtually indistinguishable from a normal machine.”  For MUSCLE, SPEED, and STAMINA, the roll is 4d6; for MENTAL and LUCK, 2d10.  “Their minimum basic ability score is 6” and they begin the game with two fewer skills than starting Human characters.  Cyborgs start with no money but automatically have the first Cyborg power (i.e., Recycling Implant).


Art by Dave Billman
MUTANTS:  They “are often disfigured in various ways and are usually less healthy than Humans.”  For MUSCLE, SPEED, and STAMINA, the roll is 2d6+1; for MENTAL, 4d10; and LUCK, 2d10.  “Their minimum basic ability score is 6” and they start with one less skill.  However, each mutant begins play with the one power – the first power of either Poltergeist, Clairvoyant, Mentat, Telepath, or Magneto.


Art by Dave Billman
ROBOTS:  “Robot player-characters have not been playtested,” Moldvay informs us.  “If introduced into a campaign, they will require a fair amount of work on the GM's part.”  Still, Moldvay suggests a roll of 3d10 for each basic ability and an armor value of -3.
Player-character Robots would suffer from several liabilities.  Any computer technician or engineer with the Robotic skill level could completely re-program Robots, making them difficult to play as player-characters.  While Robots should be able to progress by gaining experience, such progress would have to be accompanied by actual physical changes (new memory circuits; larger, tougher body, etc.)  Some of the skills and powers would be illogical for a Robot (a Robot acrobat?, a Robot necromancer?).